Annotated Collected Hair Locks Stitched to Paper with Handwritten Names #2 (Ginger George and Little George), 1860s graph with what I take for

with what I take for mountains or the edges of landmasses at the corners

I love early watercolored notebook drawings and diagrams just about as much as anything in the world

actually) to allow the taking apart process to begin--and the way the pieces fit together is pretty cool as it reveals itself

from 1980--while maintaining a consistent focus on Haitian subjects

but also great from an object design standpoint--and perhaps to keep handy for announcing one's daily mood

Annotated Collected Hair Locks Stitched to Paper with Handwritten Names #2 (Ginger George and Little George), 1860s graph with what I take forThis came from a small collection of hair locks and wreaths I just purchased, all dating to the 1860s and all stitched to or tucked into bits of paper annotated with names and notes. I considered listing them as a collection, but realized much of what I find beautiful about these is their specificity and singularity in form and content (color, composition, etc.) and so am more inclined to treat them as individual drawings (and portraits) of sorts, and